Over 1,000 years before Milton put classical epic to work to ‘assert eternal Providence and justify the ways of God to Man’ in Paradise Lost, there was Eudocia, who in retelling the Christian story of salvation with lines from Homer’s Iliad and Odyssey composed a theological poem of unusual communicative power. This is a woman—an empress, no less—who, as Karl Olav Sandnes puts it, insists on being heard, at a time of charged theological debate dominated by men. Sandnes presents Eudocia’s poem as an original, even idiosyncratic, interpretation of the Gospels that weaves together Christian and pre-Christian strands of tradition into one rich tapestry.