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Irish Drama in Poland is the first book to broadly assess Irish drama’s impact on both Poland’s theatrical world and its cultural and literary heritage in the twentieth century. With a wide-ranging analysis – from Yeats, Synge, O’Casey and Behan, to Wilde, Shaw and Beckett – this engaging study explores the translation, production and reception of Irish plays in Poland. Barry Keane presents readers with the historical and literary context for each production, allowing readers to understand the many ways Irish theatre has informed Poland’s theatrical and literary heritage. Including a foreword by translation scholar Michael Cronin, Irish Drama in Poland drives home the importance of exploring intercultural contexts, allowing readers a more informed understanding of European culture and identity.
Barry Keane is adjunct professor of translation and comparative studies at the University of Warsaw and associate professor of translation and comparative studies at the University of Social Sciences and Humanities, Warsaw. He is the author of Irish Drama in Poland.
List of IllustrationsForeword Michael CroninAcknowledgementsIntroduction Prologue: Thomas Moore: An Early Meeting of the Waters Chapter 1: Compromised Heroes: Irish Drama in the Era of Young Poland (1900–1918)Chapter 2: A Fall from Grace: Irish Drama During the Inter-War Years (1918–1939)Chapter 3: Walking on Eggshells: Irish Drama in the Post-War Era (1945–1960)Chapter 4: Towards the Modern Era (1960–1979) Epilogue: The Millennial Surge
'This compelling history of the reception of Irish theatre in Poland serves two main purposes: it provides an informed outline of twentieth-century Polish drama and its relationship with foreign (especially Irish) theatre, and it expands our understanding of Irish literature through an external outlook.'