Like most westerners, I came to Wojciech Has by way of The Saragossa Manuscript, a picture I’ve always loved. It was many years before I was able to catch up with other Has films, for instance, The Hourglass Sanatorium, which came as a revelation. Annette Insdorf’s book provides welcome historical context and insight into the achievement of this singular filmmaker. A critical study of Has is long overdue, and no one but Insdorf could have written it." —Martin Scorsese"Has is a completely unrecognized genius, probably the most talented Polish director since the war with his own sensibility and vision." —Pawel Pawlikowski, director of Oscar-winning film Ida"...Wojciech Has's singular films are long overdue for reappraisal inside and outside his native land. Annette Insdorf's new book is a slim but informative survey of all 14 of his features, emphasizing their diverse aesthetics and influences with concise prose... Tantalizing... Insdorf provides scholarship for others to build on." —Film Comment"... we can now welcome the publication of a monograph by a scholar whose knowledge of Polish film history is as thorough as it is intimate... Insdorf never relinquishes her sharp attention to detail... an exemplary monograph on a great filmmaker." —Cineaste"Insdorf is an exemplary critic whose clear, compact analyses are equally insightful on narrative, thematic, and audio visual levels. Almost every page of Intimations reveals something fresh about the 14 features on which Has’s reputation chiefly rests." —Quarterly Review of Film and Video
