"A fascinating portrait that illuminates the connection between collective memory and history, investigates how traditions and heritage emerge and change, and examines how a heterogeneous society constructs and preserves its history. The book reveals Independence Hall, the most revered symbol of the American republic, as a place of contradiction, where the nation's ideals have been both defined and contested, expanded and limited."-Pennsylvania Heritage "Mires cuts a broad swath through the centuries. We see the forces of preservation and politics converge and collide, countered by the environmental dynamic of a changing urban neighborhood. We also observe how African Americans, always a vital presence in Philadelphia, took liberty's message to heart... Mires's plea for understanding the public memory that historic structures shape should inspire others to follow her lead."-Journal of American History "Charlene Mires liberates a great American shrine from the bounds of Georgian brick. An archaeologist of memory, she sifts the rich layers of meaning and remembrance embedded in a single building. In Mires's hands, preserving and interpreting Independence Hall becomes as dynamic a story as the nation-buiding that occurred within its walls."-Tony Horwitz, author of Confederates in the Attic "This is a book I have long awaited, one that tells the life of a single building so as to illuminate American history from almost every angle-cultural, social, and political."-Mary Ryan, author of Civic Wars: Democracy and Public Life in the American City During the Nineteenth Century "An outstanding contribution to the study of memory places in the U.S."-Choice "A book that shows us why history matters."-The Historian "Mires's book frees us from any one-dimensional view of the past, and of ourselves, by showing that Independence Hall, like America, always has been and must be a work in progress."-Philadelphia Inquirer