During the Cold War Hong Kong served as contested space for the hearts and minds of its residents and the Chinese diaspora beyond. Hong Kong stood at the intersection of intense competition among Cold War powers in East and Southeast Asia. Laid on top of Hong Kong's colonial and traditional culture were the propaganda and ideological wars of the triumphal Communists, the defeated but not out Nationalists, and a fearful USA, at war with itself, spooked by McCarthyism. Professor Fu Po-Shek's excellent and timely new book traces the culture wars in film and the print media in Hong Kong from 1952 to the late 1970s. The book is essential reading for scholars and students of the Cold War, and more general readers interested in the backstory of Hong Kong cinema in its heyday.