Honest Bodies: Revolutionary Modernism in the Dances of Anna Sokolow illustrates the ways in which Sokolow's choreography circulated American modernism among Jewish and communist channels of the international Left from the 1930s-1960s in the United States, Mexico, and Israel. Drawing upon extensive archival materials, interviews, and theories from dance, Jewish, and gender studies, this book illuminates Sokolow's statements for workers' rights, anti-racism, and the human condition through her choreography for social change alongside her dancing and teaching for Martha Graham. Tracing a catalog of dances with her companies Dance Unit, La Paloma Azul, Lyric Theatre, and Anna Sokolow Dance Company, along with presenters and companies the Negro Cultural Committee, New York State Committee for the Communist Party, Federal Theatre Project, Nuevo Grupo Mexicano de Clásicas y Modernas, and Inbal Dance Theater, this book highlights Sokolow's work in conjunction with developments in ethnic definitions, diaspora, and nationalism in the US, Mexico, and Israel.
Produktinformation
Utgivningsdatum2017-09-14
Mått234 x 155 x 15 mm
Vikt408 g
FormatHäftad
SpråkEngelska
Antal sidor280
FörlagOUP USA
ISBN9780199396931
UtmärkelserFinalist for the Jordan Schnitzer Book Award, Jews and the Arts Category, Association for Jewish Studies
Hannah Kosstrin researches Jewishness, gender, and movement analysis in modern and contemporary dance. At The Ohio State University, she is Assistant Professor in the Department of Dance and is affiliated with the Melton Center for Jewish Studies.
ContentsPreface: Honest BodiesAcknowledgmentsAbbreviationsIntroduction1. Dances of All Nations: Choreographing Communism 2. Revolutionary Exile in Postrevolutionary Mexico City: Jewishness and Mexican Modernism3. The Wandering Frog that Did Not Travel Well: Jewishness, Mexicanidad, and Ethnic Dance4. White Rooms, Red Scare: Sokolow Defines America5. Modernist Forms in a Jewish StateEpilogue: No Fists in the Air: Anna Sokolow and the Cold WarSelected BibliographyIndex
Kosstrin uses interdisciplinary methodologies from dance studies and history to analyze movement and archival materials ... The compelling passages that detail Sokolow's performances support the larger argument that her choreography had a political punch.