The lion’s share of scholarship about Hollywood and the Cold War has been paid to the 'blacklist' and the influence of McCarthyism. Upton shifts focus forward in time to the end of the Cold War, analyzing how the relatively sudden disappearance of the adversarial geopolitics of the Cold War affected the thematic, symbolic, and rhetorical content of Hollywood films. Each of Upton’s nine chapters examines a fairly popular genre of movie--e.g., the superhero film, the spy thriller, the coming-of-age story--and looks at how exemplars within that genre evolved from the Cold War’s second peak during the Reagan era through the two decades following its end. . . .Upton’s writing is insightful and accessible. . . .This is a valuable. . . .introductory source. Summing Up: Recommended. . . .Lower- and upper-division undergraduates; graduates students; general readers.