"A landscape charged with the bright light of discernment, where emotions are stirred by rhythmic torsion and sonic density."--Julie Carr, judge, Alice Fay di Castagnola Award from the Poetry Society of America "Intoxicating. . . Sounds unheard and unrivaled since Atsuro Riley's acclaimed debut permeate Heard-Hoard. His elegant rhythms are atmospheric and robust, his neologisms transform the 'weed-embrangling snuffle-path, ' his vernacular is magical as 'dew-sparks galaxifying the crabgrass.' Amid each mesmerizing reading, like dancing to a good song for a good long time before truly hearing its lyrics, Heard-Hoard's remarkable stories crystallize; music becomes narrative. Atsuro Riley is an extraordinary poet. This book holds all the meanings of fantastic." --Terrance Hayes "Magnificently singular. If evocation of place, however pungent, were the main thing in Riley's work I wouldn't be very interested. But he's pursuing something a lot more ambitious, even abstract, that has deeply to do with, I almost want to say, sacred properties of language or language that could cast a spell against harm. He needs to make big sense; he has the deep confidence it takes to press language hard--not for self-amusement but to hear something he is desperate to hear." --Kay Ryan "The category of the 'mythic' has been much cheapened by overuse, but Atsuro Riley's Heard-Hoard restores the term to its original and originary power. The English language has rarely been so richly augmented in such little space." --Linda Gregerson