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Music and dance play a central role in the 'healing arts' of the Senoi Temiar, a group of hunters and horticulturalists dwelling in the rainforest of peninsular Malaysia. As musicologist and anthropologist, Marina Roseman recorded and transcribed Temiar rituals, while as a member of the community she became a participant and even a patient during the course of her two-year stay. She shows how the sounds and gestures of music and dance acquire a potency that can transform thoughts, emotions, and bodies.
Marina Roseman is Assistant Professor of Music and of Anthropology at the University of Pennsylvania and has been recognized for her work in ethnomusicology and traditional Asian medicine.
ContentsFigures and TablesPlatesAcknowledgmentsOrthography1. Introduction 1Jungle Paths and Spirit SongsThe Articulation Between Musical and Medical DomainsTheoretical ConsiderationsThe Orang AsliTranslating Worlds2. Concepts of BeingHead SoulsHeart SoulsOdorShadowSpirits, Sounds, Goods, and Selves3· Becoming a HealerDreamingSingers of the LandscapeHalaa' Adeptness: A PotentialHalaa' and Leadership: A RoleThe Nonadept: Alternative Strategies forWives and WomenLand, Person, and Song4· The Dream PerformedSpiritguide GenresThe Social Structuring of SoundMale Mediums and Female ChorusSymbolic Classifications and Metaphors for SoundSymbolic Inversion: Everyday Life and Ritual Performance5· Setting the Cosmos in Motion: Sources of Illnessand Methods of TreatmentSources of IllnessSetting the Cosmos in MotionSinging as Transformation6. Remembering to Forget: The Aesthetics of LongingRemembering to ForgetThe Aesthetics of LongingLonging in the Late Afternoon: Instrumental MusicThe Aesthetics of Sway: Dance and MovementSoul LossMusical Form, Emotion, and Meaning7· Songs of a Spirited WorldThe Body as NexusEnsouling the WorldAppendix A. Temiar TransliterationsAppendix B. DiscographyNotesGlossaryBibliography