Roholt provides an eminently approachable study of a commonplace phenomenon in music—groove, or the rhythmic feel of music that makes listeners want to move. The author is a professional drummer as well as a philosopher, and he does an excellent job of combining philosophy and musical experience. The study will be particularly useful in introducing music students to the phenomenology of music and recent developments in music psychology. The argument is lucid yet sophisticated, and the groove phenomenon is so universal and appreciable that the book has excellent interdisciplinary potential. The useful bibliography—a blend of music, philosophy, and psychology titles—could make the backbone for a graduate seminar. Summing Up: Highly recommended. Upper-division undergraduates through faculty and professionals; general readers.