Formations of Masculinity in Post-Communist Hungarian Cinema

György Kalmár is Reader in film and cultural studies at the Department of British Studies of the University of Debrecen, Hungary.  His main teaching and research areas include literary and cultural theory, contemporary Hungarian film, gender studies, and British literature. He has published extensively in the above mentioned fields.

• 1. Introduction.- 2. The labyrinth principle: Figures of entrapment in Hungarian art-house cinema.- 3. Historical ruptures and ironic masculinities. (Moscow Square. Ferenc Török, 2001).- 4. Men on the margins of history. (Hukkle. György Pálfi, 2002).- 5. Just the Wind. Benedek Fliegauf, 2012).- 9. Conclusions.

“This study of New Hungarian Cinema provides an interesting outline of important films from the new millennium and will be of interest to those interested in film as well as in recent Hungarian social and cultural studies.” (Clara Orban, Hungarian Cultural Studies, Vol. 13, 2020)