Fiction of the 1940s

GERARD BARRETT St Edmund's College, CambridgeMAUD ELLMANN University Lecturer in English and Fellow, King's College, CambridgeHOWARD ERSKINE-HILL Professor of Literary History, Faculty of English, Cambridge UniversityBARBARA HARDY Emeritus Professor, University of London and Honorary Professor, University of Wales, SwanseaPHYLLIS LASSNER Lecturer in Gender Studies and Holocaust Studies, Northwestern UniversityPETER MUDFORD Professor of English and European Languages, Birkbeck CollegeMARK RAWLINSON Lecturer in English, University of LeicesterLYNDSEY STONEBRIDGE Senior Lecturer, School of English and American Studies, University of East AngliaGEOFF WARD Professor of English, University of Dundee

• Notes on the Contributors Introduction Elizabeth Bowen: The Shadowy Fifth; M.Ellmann The Wibberlee Wobberlee Walk: Lowry, Hamilton, Kavan and Addictions of 1940s Fiction; G.Ward Bombs and Roses: The Writing of Anxiety in Henry Green's Caught; L.Stonebridge The Timeless Elsewhere of World War Two: Rosamund Lehmann's The Ballad and the Source and Kate O'Brien's The Last of Summer ; P.Lassner The Novel Sequences of Joyce Cary; H.Erskine-Hill Wild Soldiers: Jocelyn Brooke and England's Militarised Landscape; M.Rawlinson Broken Glass; R.Mengham Lying, Cruelty, Secrecy and Alienation in I: Compton-Burnett's Elders and Betters; B.Hardy Away from the Lighthouse: William Sansom and Elizabeth Taylor in 1949; N.H.Reeve Souvenirs from France: Textual Traumatism in Henry Green's Back; G.Barrett 'Quantitative Judgements Don't Apply': The Fiction of Evelyn Waugh and Grahame Greene; P.Mudford Index