’This book provides useful insight into the experience of being a performing jazz musician. Drawing on rich qualitative data, Hytönen-Ng provides an understanding of how Flow experiences rely upon interactions between numerous factors, including identity, relationships with co-performers, audiences and venues and considers how such experiences lead ultimately to more satisfying performances. Recommended for anyone interested in understanding musicians’ experiences of live jazz performance. ’ Karen Burland, University of Leeds, UK ’Elina Hytönen-Ng’s book is a welcome and valuable contribution to the field, and it is hoped that it will invite further research of flow in jazz practice and in other areas of music performance’. Music and Letters ’This focus could serve music educators at the undergraduate and graduate level in addressing issues of musicianship and collectivity. Many of the themes extracted from the discussions: the relationship of the individual to the group, the impact of audiences and physical spaces on performance, and the role of spirituality in creative approaches, would fuel discussions that could impact performance practice. Experiencing Flow also contributes to the study of music cognition. ... As a study that explores music through the motivations that drive its creation, Experiencing Flow provides a multidisciplinary work which can inform studies of why we make music’. Popular Music