Essays on the History of English Music in Honour of John Caldwell

MARGARET BENT is an Emeritus Fellow of All Souls College, Oxford. SIMON McVEIGH is Emeritus Professor of Music, Goldsmiths, University of London and a Past President of the Royal Musical Association. SUSAN WOLLENBERG is Emeritus Professor of Music, University of Oxford, as well as Emeritus Fellow of Lady Margaret Hall.

• Introduction - Emma HornbyTraces of Lost Late Medieval Offices? The Sanctilogium Angliae, Walliae, Scotiae, et Hiberniae of John of Tynemouth [fl.1350] - Sally HarperThe saints venerated in medieval Peterborough as reflected in the antiphoner Cambridge, Magdalene College, F.4.10 - David HileyInteractions between Brittany and Christ Church, Canterbury in the tenth century: the Linenthal leaf - Emma HornbyA new source of late seventeenth- and early eighteenth-century English harpsichord music by Barrett, Blow, Clarke, Croft, Purcell and others - H. Diack JohnstoneThe earliest fifteenth-century transmission of English music to the continent - Margaret Bent'Phantasy mania': Quest for a National Style - Purcell's 1694 Te Deum and Jubilate: its Successors, and its Performance History - Imitative counterpoint in mid-fifteenth-century English Mass settings - Reinhard StrohmDouble cantus firmus compositions in the Eton Choirbook - Magnus WilliamsonEnglishness in a Kyrie [Mis]attributed to Du Fay - Peter WrightContinuity, discontinuity, fragments and connections: the organ in church c.1500-1640 - John Harper'As the Sand on the Sea Shore': Women Violinists in London's Concert Life around 1900 - Simon McVeighThe carol in Anglo-Saxon Canterbury - Luisa de Carvajal y Mendoza and music in an English Catholic house in 1605 - Owen ReesMusic in Oxford, 1945-1960: The years of change - Susan WollenbergThree Anglican Church Historians on Liturgy and Psalmody in the Ancient Synagogue and the Early Church - John Arthur SmithHistories of British Music and the Land Without Music: National Identity and the Idea of the Hero - Epilogue: John Caldwell [1938- ]: Scholar, Composer, Teacher, Musician -

The affection as well as the respect in which John Caldwell is held by other scholars exudes unmistakably from the pages of this volume in his honour. [...] This brilliantly researched, engagingly written, and elegantly produced volume [...] its enduring significance will surely lie in its explorations of new historical material, its suggestive reconsiderations of the well known, and it's opening up of new areas of research.