Del 3 - New Perspectives in Edward Albee Studies

Edward Albee as Theatrical and Dramatic Innovator

Inbunden, Engelska, 2019

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Edward Albee as Theatrical and Dramatic Innovator offers eight essays and a major interview by important scholars in the field that explore this three-time Pulitzer prize-winning playwright’s innovations as a dramatist and theatrical artist. They consider not only Albee’s award-winning plays and his contributions to the evolution of modern American drama, but also his important influence to the American theatre as a whole, his connections to art and music, and his international influence in Spanish and Russian theatre.Contributors: Jackson R. Bryer, Milbre Burch, David A. Crespy, Ramon Espejo-Romero, Nathan Hedman, Lincoln Konkle, Julia Listengarten, David Marcia, Ashley Raven, Parisa Shams, Valentine Vasak

Produktinformation

Utgivningsdatum2019-05-09
Mått155 x 235 x 20 mm
Vikt548 g
FormatInbunden
SpråkEngelska
SerieNew Perspectives in Edward Albee Studies
Antal sidor254
FörlagBrill
ISBN9789004394704

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David A. Crespy, Ph.D. (1998), is Professor of Playwriting, Acting, and Dramatic literature at the University of Missouri. He founded MU's Writing for Performance program and serves as the program’s co-director and as the president of the Edward Albee Society.Lincoln Konkle, Ph.D. (1991), is Professor of English at The College of New Jersey where he teaches and publishes on dramatic literature. He is author of Thornton Wilder and The Puritan Narrative Tradition and co-founder of the Albee Society.

Notes on ContributorsEditors’ IntroductionDavid A. Crespy and Lincoln KonkleDesigning Edward/Edward Designing: A Brief History of Edward Albee’s Role in Theatrical DesignDavid A. CrespyTheatrical Thanatology: Direct Address, Gestural Storytelling, and the Triple Goddess in Three Plays about Dying by Edward AlbeeMilbre BurchThe Glee of Vulnerability: Becoming Kin with Edward Albee’s GoatParisa ShamsA Queer Reading of Love in Edward Albee’s Counting the WaysAshley RavenAlbee Stages Secular EpiphanyNathan HedmanArt Is a Hammer: Aura, Textual Awareness, and Comedy in AlbeeDavid MarciaAffecting the Lives of “Others”: The Journey of Albee’s Plays in the Soviet UnionJulia ListengartenThe (Mis)Representation of Edward Albee in Spain, 1963–2010Ramón Espejo RomeroInside the Black Box: Albee’s Visual Aesthetics of ObscurityValentine Vasak“I Trap People”: An Interview with Edward AlbeeJackson R. BryerBibliographyIndex