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Scotland, its people and its history have long been a source of considerable fascination and inspiration for filmmakers, film scholars and film audiences worldwide. A significant number of critically acclaimed films made in the last twenty-five years have ignited passionate conversations and debates about Scottish national cinema. Its historical, industrial and cultural complexities and contradictions have made it all the more a focus of attention and interest for both popular audiences and scholarly critics. Directory of World Cinema: Scotland provides an introduction to many of Scottish cinema’s most important and influential themes and issues, films and filmmakers, while adding to the ongoing discussion concerning how to make sense of Scotland’s cinematic traditions and contributions. Chapters on filmmakers range from Murray Grigor to Ken Loach, and Gaelic filmmaking, radical and engaged cinema, production, finance and documentary are just a few of the topics explored. Film reviews range from popular box office hits such as Braveheart, and Trainspotting to lesser known but equally engaging independent and lower budget productions, such as Shell and Orphans. This book is both a stimulating and accessible resource for a wide range of readers interested in Scottish film.
Zach Finch is a lecturer and academic advisor for the Film Studies programme at the University of Wisconsin-Milwaukee. He is the co-editor of Directory of World Cinema: Scotland (2015, Intellect) with Bob Nowlan. His dissertation focused on the short fiction films of Scotland.
Introduction by the EditorsIndustry SpotlightProductionMarketing MixFinanceLocationGaelic Film-making In ScotlandCultural CrossoverRadical and Engaged CinemaDirectorsBill DouglasBill ForsythMurray GrigorKen LoachDavid MackenziePeter MullanLynne RamsayMargaret TaitMythic Visions: Critique and Counter-CritiqueFrom Social Realism To Social Art Cinema and BeyondComedy, Fantasy and Horror Documentary