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Death Metal is among the most despised forms of violently themed entertainment. Many politicians, conservative groups and typical Americans attribute youth violence and the destruction of social values to such entertainment. The usual assumptions about the Death Metal scene and its fans have rarely been challenged.This book investigates the demographic trends, attitudes, philosophical beliefs, ethical systems, and behavioral patterns within the scene, seeking to situate death metal in the larger social order. The Death Metal community proves to be a useful microcosm for much of American subculture and lends insight into the psychological and social functions of many forbidden or illicit entertainment forms. The author's analysis, rich in interviews with rock stars, radio hosts, and average adolescent fans, provides a key to comprehending deviant tendencies in modern American culture.
Natalie J. Purcell is a professional in the nonprofit sector and a sociopolitical activist associated with the Amnesty International. She lives in San Francisco, California.
Table of ContentsAcknowledgments Preface I: DEFINING DEATH METAL1. The Genre and Its Sub-Genres 2. Fundamental Dynamics of the Scene 3. Lyrical Content II: THE HISTORY OF THE DEATH METAL SCENE4. Origins (1984–1988) 5. Rise and Fall (1989–1994) 6. The Present (1995–2002) III: DEATH METAL AND AMERICAN POLITICIANS7. The Skeleton in America’s Closet 8. The Politics of Censorship 9. Content Regulation Today and Tomorrow IV: CONFRONTING THE CONSUMERS OF CARNAGE10. Facing the Demon 11. Demographics 12. Attitudes 13. Philosophy and Ethics 14. Behavior 15. Concluding Opinions on Death Metal and Violence V: THE MIND OF THE METAL HEAD AND THE HEART OF THE UNDERGROUND16. The Subcultural Phenomenon 17. Rebellion and Religion 18. Horror, Gore, Porn, and the American Mind EPILOGUEPersonal Reflections on Death Metal APPENDICESA: Project Goals, Implications, and Methodology B: Topics of Focus and Research Hypotheses C: Coded Survey D: Sample Interview Questions E: Criticism of Methods and Suggestions for Future Research Notes Bibliography Index
“[Purcell] is an intelligent, articulate and concerned fan, and she lets that come through. Some might argue that ‘metalness’ is a symptom of alienation. Purcell rightfully considers it a balm for it, a unique form of identification”—Pop Matters.
