Dance and Modernism in Irish and German Literature and Culture

Connections in Motion

Inbunden, Engelska, 2019

Av Sabine Egger, Catherine E. Foley, Margaret Mills Harper, Catherine E Foley

2 319 kr

Slutsåld

A collection of scholarly articles and essays by dancers, scholars of ethnochoreology, dance studies, drama studies, cultural studies, literature, and architecture, Dance and Modernism in Irish and German Literature and Culture: Connections in Motion explores Irish-German connections through dance in choreographic processes and on stage, in literary texts, photography, dance documentation, film, and architecture from the 1920s to today. The contributors discuss modernism, with a specific focus on modern dance, and its impact on different art forms and discourses in Irish and German culture. Within this framework, dance is regarded both as a motif and a specific form of spatial movement, which allows for the transgression of medial and disciplinary boundaries as well as gender, social, or cultural differences. Part 1 of the collection focuses on Irish-German cultural connections made through dance, while part 2 studies the role of dance in Irish and German literature, visual art, and architecture.

Produktinformation

Utgivningsdatum2019-12-02
Mått161 x 229 x 23 mm
Vikt603 g
FormatInbunden
SpråkEngelska
Antal sidor270
FörlagBloomsbury Publishing Plc
ISBN9781498594264

Tillhör följande kategorier

Chapter One: Modernism, Migration, and Irish-German Connections in the 1930s and 1940s: The Impact of Modern Physics and Dance on IrelandGisela HolfterChapter Two: Erina Brady: Mary Wigman’s Irish Disciple?Deirdre MulrooneyChapter Three: Duality of Cultural Influences as a Source of Insight and Inspiration: The Collaboration between Aloys Fleischmann and Joan Moriarty 19471992Ruth Fleischmann Chapter Four: Irish Dance Documentation for the Archive: A Personal Reflection on Irish-German Connections and Intellectual InheritancesCatherine E. FoleyChapter Five: “Somewhere Between Remembering and Forgetting”: An Examination of the Choreographic Process Inspired by the Poem “The Man Made of Rain” by Brendan KennellyMarguerite DonlonChapter Six: Creating Tanztheater: Finding Ireland with Pina?Finola CroninChapter Seven: Irish Modernism and the History and Aesthetics of DanceSusan JonesChapter Eight: Rhythm and Colour: The Legacy of Dance in 1930s Joyce and BeckettSiobhán PurcellChapter Nine: Yeats’s Transgressive DancersMargaret Mills HarperChapter Ten: “I as a Text,” I as a Dance: On the Relationship of Contemporary Dance and Contemporary Poetry with Reference to Anne Juren, Martina Hefter, Monika Rinck, and Philipp Gehmacher Lucia RuprechtChapter Eleven: Dancing between Transgression and the Carnivalesque after 1945/1989: Johannes Bobrowski and Katja PetrowskajaSabine EggerChapter Twelve: Dance and the Postmodern Subject in “Libidoökonomie” and “Der Kranich auf dem Kiesel in der Pfütze” by Feridun ZaimogluJoseph TwistChapter Thirteen: “Alive. Changing. New”: Impulses of the Jaques-Dalcroze Dance Institute on the Architecture of Ludwig Mies van der RoheTanja Poppelreuter and Jan Frohburg