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From the dust of the Montana plains to the farthest reaches of the cosmos, Terrence Malick’s films have enchanted audiences with transcendent images of nature, humanity, and grace for nearly fifty years. The contributors in this volume explore the profound implications of Malick’s stories, images, processes, and convictions as they offer comprehensive studies of the ten completed films of Terrence Malick. Each chapter takes a reflective and retrospective approach, considering new interpretations and frameworks for understanding Malick's unique creative choices. Drawing from a range of diverse academic disciplines, the collection analyzes the groundbreaking qualities of his cinematic style and the philosophical underpinnings that permeate his work. Rigorously researched and unique, the arguments presented within this volume shed new light on Malick and the cinematic medium.
Joshua Sikora (MFA) is the founder and director of the Cinema & New Media Arts program at Houston Baptist University.
Chapter One: Thinking of Film: What is Cavellian about Malick’s Movies?David LaRoccaChapter Two: Here and There: Malick’s Cinema and McGilchrist’s “Divided Brain”Adam DanielChapter Three: The Beautiful Light: The Supernaturalist Argument of The Thin Red LineDavid J. GilbertChapter Four: Saturated Meaning, Poetic Portrayal: Phenomenology in the Films of Terrence MalickKip RedickChapter Five: How Can a Film be Poetic? The Case of The Thin Red LineTimothy E.G. BartelChapter Six: Fractal Reader-Response Structure: A New Narrative Theory in the Work of Terrence MalickJoshua RussellChapter Seven: Auteurs and Movie Brats: Placing Malick’s Extraordinary Career in ContextDean YamadaChapter Eight: The Search for Time: Terrence Malick and Andrei Tarkovsky in DialogueAnthony ParisiChapter Nine: The Journey Home: A Unity of Memory and Cosmology in CinemaJoshua SikoraChapter Ten: Disputing Henri de Lubac’s Nature and Grace and Job’s Ending: The Tree of Life as Theological DiscourseNaam