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Contemporary Italian Diversity in Critical and Fictional Narratives is about identity—individual and national—and belonging. It is also an affirmation of diversity. The editors of this volume have brought together articles that analyze the literature of migration as well as creative pieces by recognized authors who have a lived experience of migration. English speakers will find their own societal struggles with diversity mirrored in Italy’s colonial inheritance and its renewed nationalism, populism, xenophobia, and shifting national identity.The artists and scholars who have contributed to this book challenge national discourses, dehumanizations, and issues of race and gender. But many also seek to move beyond the negative and critical to claim belonging—especially national belonging—in the name of diversity as part of human experience. The chapters emphasize how individuals both reflect and enact societal change, and they foreground the inescapable fact that human differences and migration drive and shape societal identity in our world.
Marie Orton is professor of Italian at Brigham Young University.Graziella Parati is the Paul D. Paganucci Professor of Italian Literature and Language at Dartmouth College.Ron Kubati, PhD., is an independent scholar and author.
Section I: Diversity in ItalyPoetryVera Lúcia de Oliveira“I was among warm folk in a warm country” (Ero fra calda gente in un caldo paese)Translated by Ashna AliEssayClarissa Clò and Enrico Zammarchi“Stran(i)ero nella mia nazione”: Hip-Hop from Southern Alie-Nation to Afro-Italian Nation-HoodEssayDaniele ComberiatiReading “Albania” in Italy: Reception of Elvira Dones’s Piccola guerra perfetta and Ron Kubati’s La via dell’eroeEssayLucia ReMigration, the Novel and the Power of Fear: A Dialogical Perspective from Baktin to LakhousFictionAmara Lakhous“Ninth Wail” and “The Truth of Abdallah Ben Kadour,” from Clash of Civilizations over an Elevator in Piazza VittorioEssayRyan Calabretta-SajerGendering the “Giallo”: Gender Roles in the Opus of Amara LakhousFictionUbax Cristina Ali Farah“The Phoenix” (La Fenice)Translated by Silvia GuslandiEssayWendy PojmannCreativity as Feminist Practice: Intercultural Women’s Associations in ItalyEssay