Victoria Brehm makes us look deeper into Woolson’s prose and motivations in order to uncover her profound concern with national events, international politics, and the ambiguities of social and political leaders. Brehm pierces through the self-protective screens that Woolson often used to mask these issues by analyzing seemingly minute references and by uncovering a complex underbody of satire, allegory, and yes, anger at a world that denies women rights. Particularly strong readings of "For the Major" and Horace Chase impress, but shorter works, we find, underneath romantic surfaces, also provide sharp takes on the gold standard, industrialization, and the corruptions of the gilded age. Well researched, and eloquently written, this study gives us unsuspected and rewarding apertures into a great artist’s ideological concerns and methods.