Confessional Crises and Cultural Politics in Twentieth-Century America revolutionizes how we think about confession and its ubiquitous place in American culture. It argues that the sheer act of labeling a text a confession has become one of the most powerful, and most overlooked, forms of intervening in American cultural politics. In the twentieth century alone, the genre of confession has profoundly shaped (and been shaped by) six of America’s most intractable cultural issues: sexuality, class, race, violence, religion, and democracy.
Dave Tell is Associate Professor of Communication Studies at the University of Kansas.
ContentsAcknowledgmentsIntroduction: Confessional Crises and Cultural Politics1Confession and Sexuality: True Story Versus Anthony Comstock2Confession and Class: A New True Story3Confession and Race: Civil Rights, Segregation, and the Murder of Emmett Till4Confession and Violence: William Styron’s Nat Turner5Confession and Religion: Jimmy Swaggart’s Secular Confession6Confession and Democracy: Clinton, Starr, and the Witch-Hunt Tradition of American Confession Conclusion: James Frey and Twenty-First-Century Confessional CultureNotesBibliographyIndex
“Tell’s Confessional Crises and Cultural Politics in Twentieth-Century America provides a critical and fascinating account of the always already ‘confessional anxiety’ that animates American public life and political culture.”—Corey D. B. Walker Journal of American History