Companion to the Abbey of Quedlinburg in the Middle Ages

Karen Blough, Ph.D. (1995), Rutgers University, is Professor of art history at SUNY Plattsburgh. She has published on various topics in German medieval art, with an emphasis on the arts patronage of religious women.

• AcknowledgmentsList of FiguresNotes on ContributorsIntroductionKaren Blough1 Quedlinburg Abbey’s Medieval History in Ever-Changing Political and Religious Frameworks: A SurveyKatharina Mersch2 Quedlinburg in the 10th and 11th Centuries: An Archaeological ViewTobias Gärtner3 Quedlinburg: The Conventual Buildings from an Architectural History PerspectiveUlrich Grossmann4 For the Living and the Dead: Memorial Prayers of the Quedlinburg Canonesses in the High Middle AgesChristian Popp5 Psallite sapienter: Psalms and Learning at QuedlinburgHelene Scheck6 Abbatial Effigies and Conventual Identity at St. Servatius, QuedlinburgKaren Blough7 Bracteates of the Abbesses of Quedlinburg: Romanesque Craftwork of Great QualityManfred Mehl8 The Quedlinburg Frieze and Its Romanesque ContextShirin Fozi9 Of Donors and Patrons: The Abbey of St. Servatius in Quedlinburg as a Site of Remembrance, Distinction, and RepresentationClemens Bley10 A Reliquary Revisited: The Reliquary of St. Servatius and Its ContextsEliza Garrison and Evan Gatti11 Matter and Spirit: Reliquaries at St. Servatius in the 13th CenturyAdam Stead12 Restored, Repurposed, Reassessed: The Abbey Church of Quedlinburg across Five GermaniesAnnie KriegDates of the Quedlinburg Abbesses, German Kings, and Bishops of HalberstadtManuscriptsBibliographyIndex