Color of Sound

Race, Religion, and Music in Brazil

Inbunden, Engelska, 2013

AvJohn Burdick

1 209 kr

Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt för medlemmar vid köp för minst 249 kr.

Finns i fler format (1)

Häftad

479 kr

Skickas inom 7-10 vardagar

Throughout Brazil, Afro-Brazilians face widespread racial prejudice. Many turn to religion, with Afro-Brazilians disproportionately represented among Protestants, the fastest-growing religious group in the country. Officially, Brazilian Protestants do not involve themselves in racial politics. Behind the scenes, however, the community is deeply involved in the formation of different kinds of blackness—and its engagement in racial politics is rooted in the major new cultural movement of black music. In this highly original account, anthropologist John Burdick explores the complex ideas about race, racism, and racial identity that have grown up among Afro-Brazilians in the black music scene. By immersing himself for nearly a year in the vibrant worlds of black gospel, gospel rap, and gospel samba, Burdick pushes our understanding of racial identity and the social effects of music in new directions. Delving into the everyday music-making practices of these scenes, Burdick shows how the creative process itself shapes how Afro-Brazilian artists experience and understand their racial identities. This deeply detailed, engaging portrait challenges much of what we thought we knew about Brazil's Protestants,provoking us to think in new ways about their role in their country's struggle to combat racism.

Produktinformation

Utgivningsdatum2013-01-07
Mått153 x 229 x undefined mm
FormatInbunden
SpråkEngelska
Antal sidor237
FörlagNew York University Press
ISBN9780814709221

Tillhör följande kategorier

Världsmusik inom Kultur
Etnicitet inom Samhalle och politik

Preface and Acknowledgments Introduction: Something 'Bout the Name of Jesus: Racial Meanings in Evangelical Musical Scenes 1 We Are the Modern Levites: Three Gospel Music Scenes 2 We Are All One in the Periferia: Blackness, Place, and Poverty in Gospel Rap 3 The Flags of Jesus and Brazil: Body, History, and Nation in Samba Gospel 4 A Voice So Full of Pain and Power: Black Gospel and Blackness 5 The Bible Is Full of Prophecies: Black Evangelical Musicians and Black Politics Conclusion: Evangelicalism, Blackness, and Music in Brazil Notes References Index About the Author

"Burdick writes with an evocative clarity that allows the context and voices of his informants to shine through. His commitment to them and his passion for racial justice drive the account of his research." (Pneuma) "Overall, this work is an admirable achievement.-," - David Lehmann (Cambridge University Press) "Reading John Burdicks The Color of Sound reminded me that the Queen of Gospel, Mahalia Jackson, sang the legendary hymn 'How I Got Over' just minutes after Dr. Martin Luther King Jr. delivered his 'I Have a Dream Speech' at the historic March on Washington for Jobs and Freedom in 1963. Burdick delivers an evocative book full of fresh insights, analyzing how religious music makers and black gospel have the potential to create deeply meaningful and positive new politically engaged black and Afro-Brazilian identities in Brazil." - Donna M. Goldstein,author of Laughter Out of Place "Reveals the little-studied, but vast realm of transnational Christian popular music that circulates outside of mainstream channels. Burdicks evocative study of the vibrant scene of black evangelical music in São Paulo invites us to rethink notions of sonic performance, its relation to the body, and its reverberations in a modern urban society fraught by durable racial and social inequalities. Combining a richly textured ethnography with novel theoretical insights, this book points to new directions in the study of race, space, and faith in Brazilian culture." - Christopher Dunn,Tulane University