City/Stage/Globe

• introduction Cities and Spaces; Chapter 1 Writing and Performing in “Postmedieval” London; Chapter 2 Pedestrian Mappings: Performance and Map Images of Medieval and Early Modern London; Chapter 3 The Boredom of King James: Representing the Urban Subject (15 March 1604); Chapter 4 “To See Caesar”: Theatrical Performance and Shakespeare's Rome (Caesar and Coriolanus); Conclusion;

"The book uses an interdisciplinary methodology to examine the ways in which London as urban space underwent a reconceptualization as it moved from medieval town to early modern city. [Hopkins] brilliantly traces the mixed and gradual evolution of postmedieval maps, itineraries, and map images to illustrate the different ways in which visual representations of space and topography performed the city." --Ric Knowles (University of Guelph), Theatre Journal"[T]he book’s greatest contribution lies in its methodology. Part of Routledge’s series on "Literary Criticism and Cultural Theory," City/Stage/Globe brings a profound investment in performance theories and practices to the study of literary London.""Though the immediate audience of may be scholars of performance in Shakespeare’s London, Hopkins’s model of a performance genealogy of space constitutes a significant contribution to the study of performance beyond the early modern period or England." --Marissa Greenberg (University of New Mexico), Shakespeare Bulletin