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Children on the Threshold in Contemporary Latin American Cinema: Nature, Gender, and Agency analyzes child and adolescent protagonists in Latin American cinema. This book contends that child characters have taken on a critical representational role within Latin American cinema because of their position on the threshold between “nature” and “culture,” which converts them into a focus of, and a limit to, state or colonial biopower. Rachel Randall provides a comprehensive examination of the key themes and developments in boys’ and girls’ cinematic representations since the adoption of children’s rights discourses in the region. Recommended for scholars interested in Latin American studies, film studies, and cultural studies.
Rachel Randallis lecturer in Hispanic media and digital communications at the University of Bristol.
ContentsIntroductionPart OneChapter One: Rural Boyhoods in Brazil and ColombiaChapter Two: Children and ‘Bare Life’ Under Military DictatorshipChapter Three: Childhood, Movement and PlayPart TwoChapter Four: Privileged Girlhoods and Processes of TransitionChapter Five: ‘I’m No Street Urchin!’Chapter Six: Indigenous Girlhoods in Brazil and ColombiaConclusionBibliographyAbout the Author
Children on the Threshold in Contemporary Latin American Cinema: Nature, Gender, and Agency brims with crisp analyses and theoretical sophistication. As a highly accomplished treatise, Rachel Randall’s book is bound to generate much interest among students and scholars alike of Latin American cinema and cultures, childhood studies, and film studies.