Professor Yasmin Haskell, FAHA, is Cassamarca Foundation Chair of Latin Humanism at the University of Western Australia, Perth, and a Partner Investigator in the ARC Centre of Excellence for the History of Emotions: Europe, 1100-1800.Raphaële Garrod is Associate Professor of early modern French and a fellow of Magdalen College at the University of Oxford, UK. She was a postdoctoral researcher and remains an associate member of the Australian Research Council Centre of Excellence for the History of Emotions. She works at the intersection of early modern French literature and intellectual history from the mid-sixteenth to the mid-seventeenth century.

• AcknowledgmentsList of IllustrationsEditorial NotePrefaceJan BloemendalIntroduction Yasmin Haskell and Raphaële Garrod1 Senecan Catharsis in Nicolas Caussin’s Felicitas (1620): A Case Study in Jesuit Reconfiguration of Affects Raphaële Garrod2 Performing the Passions: Pierre Brumoy’s De motibus animi between Didactic and Dramatic Poetry Yasmin Haskell3 Passions on the Jesuit Stage: Systems of Affects in Eighteenth-Century Jesuit Theater Poetics Nienke Tjoelker4 “In what storms of blood from Christ’s flock is Japan swimming?” Gratia Hosokawa and the Performative Representation of Japanese Martyrdom in Mulier Fortis (1698) Makoto Harris Takao5 The Angel and Ameri(c)a: Performing the “New World” in José Manuel Peramás’s De invento Novo Orbe inductoque illuc Christi sacrificio (1777) Maya Feile Tomes6 Si potes exemplo moveri, non propiore potes: Emotional Reciprocity in Laurent Le Brun’s Nova Gallia Peter O’Brien7 “I began to teach […]”: Emotion and Performance in Isaac Jogues’s Letter to Father Jean Filleau John Gallucci8 Performing Emotions at the Canonization of Ignatius of Loyola and Francis Xavier in the Southern Low Countries Ralph Dekoninck, Maarten Delbeke, Annick Delfosse and Koen Vermeir 9 Jesuits and Music in Guam and the Marianas, 1668–1769David R.M. Irving10 Jesuit Visual Preaching and the Stirring of the Emotions in Iberian Popular MissionsJuan Luis González García11 “Such fragile jewels”: The Emotional Role of Chinese Porcelain in Early Modern Jesuit MissionsSusan BroomhallEnvoi“Don Mancio, Nephew of the King of Hizen”: Echoes of the Japanese Tenshō Mission to Europe in 1585 in the Portrait of Sukemasu Itô by Domenico TintorettoPaola Di Rico and Marino ViganòIndex

“a very interesting volume unified by the examination of the way the emotions were used to make converts or to help Christians make progress in the spiritual life.”John J. LaRocca, Xavier University. In: The Heythrop Journal, Vol. 61, No. 3 (May 2020), p. 527-528.“This book offers for the first time a collection of essays that focus with an innovative perspective on (often overlooked) Jesuit sources. A theoretical overview of the history of emotions in a Jesuit context is followed by multiple case-studies examined by the most important scholars in the field. It efficaciously studies the concrete ways in which emotions were used to “change hearts” of early modern people all over the world (while bringing them under the aegis of this Catholic institution), and it will hopefully encourage further studies on this fascinating topic.”Elisa Frei, Boston College – Università degli Studi di Macerata, in Archivum Historicum Societatis Iesu XC.180, pp.676-678

Professor Yasmin Haskell, FAHA, is Cassamarca Foundation Chair of Latin Humanism at the University of Western Australia, Perth, and a Partner Investigator in the ARC Centre of Excellence for the History of Emotions: Europe, 1100-1800.Raphaële Garrod is Associate Professor of early modern French and a fellow of Magdalen College at the University of Oxford, UK. She was a postdoctoral researcher and remains an associate member of the Australian Research Council Centre of Excellence for the History of Emotions. She works at the intersection of early modern French literature and intellectual history from the mid-sixteenth to the mid-seventeenth century.

• AcknowledgmentsList of IllustrationsEditorial NotePrefaceJan BloemendalIntroduction Yasmin Haskell and Raphaële Garrod1 Senecan Catharsis in Nicolas Caussin’s Felicitas (1620): A Case Study in Jesuit Reconfiguration of Affects Raphaële Garrod2 Performing the Passions: Pierre Brumoy’s De motibus animi between Didactic and Dramatic Poetry Yasmin Haskell3 Passions on the Jesuit Stage: Systems of Affects in Eighteenth-Century Jesuit Theater Poetics Nienke Tjoelker4 “In what storms of blood from Christ’s flock is Japan swimming?” Gratia Hosokawa and the Performative Representation of Japanese Martyrdom in Mulier Fortis (1698) Makoto Harris Takao5 The Angel and Ameri(c)a: Performing the “New World” in José Manuel Peramás’s De invento Novo Orbe inductoque illuc Christi sacrificio (1777) Maya Feile Tomes6 Si potes exemplo moveri, non propiore potes: Emotional Reciprocity in Laurent Le Brun’s Nova Gallia Peter O’Brien7 “I began to teach […]”: Emotion and Performance in Isaac Jogues’s Letter to Father Jean Filleau John Gallucci8 Performing Emotions at the Canonization of Ignatius of Loyola and Francis Xavier in the Southern Low Countries Ralph Dekoninck, Maarten Delbeke, Annick Delfosse and Koen Vermeir 9 Jesuits and Music in Guam and the Marianas, 1668–1769David R.M. Irving10 Jesuit Visual Preaching and the Stirring of the Emotions in Iberian Popular MissionsJuan Luis González García11 “Such fragile jewels”: The Emotional Role of Chinese Porcelain in Early Modern Jesuit MissionsSusan BroomhallEnvoi“Don Mancio, Nephew of the King of Hizen”: Echoes of the Japanese Tenshō Mission to Europe in 1585 in the Portrait of Sukemasu Itô by Domenico TintorettoPaola Di Rico and Marino ViganòIndex

“a very interesting volume unified by the examination of the way the emotions were used to make converts or to help Christians make progress in the spiritual life.”John J. LaRocca, Xavier University. In: The Heythrop Journal, Vol. 61, No. 3 (May 2020), p. 527-528.“This book offers for the first time a collection of essays that focus with an innovative perspective on (often overlooked) Jesuit sources. A theoretical overview of the history of emotions in a Jesuit context is followed by multiple case-studies examined by the most important scholars in the field. It efficaciously studies the concrete ways in which emotions were used to “change hearts” of early modern people all over the world (while bringing them under the aegis of this Catholic institution), and it will hopefully encourage further studies on this fascinating topic.”Elisa Frei, Boston College – Università degli Studi di Macerata, in Archivum Historicum Societatis Iesu XC.180, pp.676-678

Professor Yasmin Haskell, FAHA, is Cassamarca Foundation Chair of Latin Humanism at the University of Western Australia, Perth, and a Partner Investigator in the ARC Centre of Excellence for the History of Emotions: Europe, 1100-1800.Raphaële Garrod is Associate Professor of early modern French and a fellow of Magdalen College at the University of Oxford, UK. She was a postdoctoral researcher and remains an associate member of the Australian Research Council Centre of Excellence for the History of Emotions. She works at the intersection of early modern French literature and intellectual history from the mid-sixteenth to the mid-seventeenth century.

• AcknowledgmentsList of IllustrationsEditorial NotePrefaceJan BloemendalIntroduction Yasmin Haskell and Raphaële Garrod1 Senecan Catharsis in Nicolas Caussin’s Felicitas (1620): A Case Study in Jesuit Reconfiguration of Affects Raphaële Garrod2 Performing the Passions: Pierre Brumoy’s De motibus animi between Didactic and Dramatic Poetry Yasmin Haskell3 Passions on the Jesuit Stage: Systems of Affects in Eighteenth-Century Jesuit Theater Poetics Nienke Tjoelker4 “In what storms of blood from Christ’s flock is Japan swimming?” Gratia Hosokawa and the Performative Representation of Japanese Martyrdom in Mulier Fortis (1698) Makoto Harris Takao5 The Angel and Ameri(c)a: Performing the “New World” in José Manuel Peramás’s De invento Novo Orbe inductoque illuc Christi sacrificio (1777) Maya Feile Tomes6 Si potes exemplo moveri, non propiore potes: Emotional Reciprocity in Laurent Le Brun’s Nova Gallia Peter O’Brien7 “I began to teach […]”: Emotion and Performance in Isaac Jogues’s Letter to Father Jean Filleau John Gallucci8 Performing Emotions at the Canonization of Ignatius of Loyola and Francis Xavier in the Southern Low Countries Ralph Dekoninck, Maarten Delbeke, Annick Delfosse and Koen Vermeir 9 Jesuits and Music in Guam and the Marianas, 1668–1769David R.M. Irving10 Jesuit Visual Preaching and the Stirring of the Emotions in Iberian Popular MissionsJuan Luis González García11 “Such fragile jewels”: The Emotional Role of Chinese Porcelain in Early Modern Jesuit MissionsSusan BroomhallEnvoi“Don Mancio, Nephew of the King of Hizen”: Echoes of the Japanese Tenshō Mission to Europe in 1585 in the Portrait of Sukemasu Itô by Domenico TintorettoPaola Di Rico and Marino ViganòIndex

“a very interesting volume unified by the examination of the way the emotions were used to make converts or to help Christians make progress in the spiritual life.”John J. LaRocca, Xavier University. In: The Heythrop Journal, Vol. 61, No. 3 (May 2020), p. 527-528.“This book offers for the first time a collection of essays that focus with an innovative perspective on (often overlooked) Jesuit sources. A theoretical overview of the history of emotions in a Jesuit context is followed by multiple case-studies examined by the most important scholars in the field. It efficaciously studies the concrete ways in which emotions were used to “change hearts” of early modern people all over the world (while bringing them under the aegis of this Catholic institution), and it will hopefully encourage further studies on this fascinating topic.”Elisa Frei, Boston College – Università degli Studi di Macerata, in Archivum Historicum Societatis Iesu XC.180, pp.676-678