Bureau of Missing Persons

Writing the Secret Lives of Fathers

Inbunden, Engelska, 2011

839 kr

Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt för medlemmar vid köp för minst 249 kr.

A devoted reader of autobiographies and memoirs, Roger J. Porter has observed in recent years a surprising number of memoirs by adult children whose fathers have led secret lives. Some of the fathers had second families; some had secret religious lives; others have been criminals, liars, or con men. Struck by the intensely human drama of secrecy and deception played out for all to see, Porter explores the phenomenon in great depth. In Bureau of Missing Persons he examines a large number of these works—eighteen in all—placing them in a wide literary and cultural context and considering the ethical quandaries writers face when they reveal secrets so long and closely held. Among the books Porter treats are Paul Auster's The Invention of Solitude, Alison Bechdel's graphic memoir Fun Home, Essie Mae Washington-Williams's Dear Senator (on her father, Strom Thurmond), Bliss Broyard's One Drop, Mary Gordon's The Shadow Man, and Geoffrey Wolff's The Duke of Deception. He also discusses Nathaniel Kahn's documentary film, My Architect. These narratives inevitably look inward to the writer as well as outward to the parent. The autobiographical children are compelled, if not consumed, by a desire to know. They become detectives, piecing together clues to fill memory voids, assembling material and archival evidence, public and private documents, letters, photographs, and iconic physical objects to track down the parent.

Produktinformation

Utgivningsdatum2011-05-06
Mått155 x 235 x 21 mm
Vikt907 g
FormatInbunden
SpråkEngelska
Antal sidor216
FörlagCornell University Press
ISBN9780801449871
UtmärkelserFinalist, Frances Fuller Victor Award for General

Tillhör följande kategorier

Litteraturvetenskap inom Skönlitteratur

Introduction: The Child's Book of Parental Deception1. Faith-Changing for LifeThe Wounds of Memory: Shame and Discovery in the Kurzem FamilyInto the Belly of the Beast: Counterfeiting Identity for SurvivalProbing Secret Conversions: Helen Fremont's Anguished Inquisition2. Deciphering Enigma CodesShadowing the Furtive Father Beyond the Grave: Mary Gordon's Ambivalent Inquiry"Love Is No Detective": Germaine Greer's Guilty HuntFamily on the Lam: A Son Running After SecretsA Scavenger in the Archives: The "Memory Boy" Tracks His ParentsThe Naked Lady's Face and the Detective's Effacement3. The Men Who Were Not There Sleuthing Amidst the Shards of the Past: Tracking Absence in the AustersThe Letters and the Flag: Recuperating a Lost FatherSpeaking Him into the World: A Daughter Reenters Her Father's HistoryA Father Gone Missing: Documenting a Broken Bond4. Becoming One's ParentThe Limits of Privacy: Decorum and Exposure at the Ackerley's"Lies Like Contagious Diseases": The Secrets of the Duke and His SonImagining Himself in the Paternal MatrixShared Secrets in the Fun House5. Breaking the SilenceRace, Secrecy, and Discovery: Black on White, White on BlackConclusion: Freedom or Exploitation?BibliographyIndex

A compelling close reading of eighteen memoirs, all of which, Porter finds, struggle with the problem of narrative voice and agency in the context of auto/biography. Structurally, Porter's book is methodical, with each text given the same treatment: a thesis that connects the text to the chapter's theme; an introduction to the text; the methods or levels of detective work involved in the writer's search; the attitude with which the text seems to be written—vengeful, understanding, judgmental, self-reflective; a comparator text; and an interrogation into whether the text's success in finding parent or self.- Teresa Coronado (Rocky Mountain Review) Detective stories are everywhere: as many critics have claimed, most novels, at least since Bleak House, bear traces of detective fiction. If this is true of novels, Porter's fascinating book argues that it is also the case for literary memoirs—where the mysteries and people investigated are particularly close to home.- Jonathan Taylor (Times Literary Supplement)