Miller uses the conventions of the detective novel but is concerned with more than just the bare-bones question of whodunit. Although she remains under-appreciated, she is one of Canada's finest writers, able to probe deeper into the human heart than the best surgeon. Here, as in her earlier stories, Miller's concern is with why people do what they do rather than just what they do. Miller has a keen sense for how mixed all human motives are, how closely aligned love and hate can be and how deceiving others always involves a bit of self-deception. -The National Post There are several ways to pen a story concerning young girls and criminal acts. One method: treat it lightly, a la Alan Bradley's Flavia de Luce mysteries, playing the crime as an old-fashioned puzzler. Another technique: follow K.D. Miller's example in Brown Dwarf and examine the more serious ramifications of such events. In her debut novel, Miller eschews a "sepia-tinted past that smells of lavender and old books," and instead focuses on the ways in which youthful decisions result in untold damage. -Quill and Quire In the wee hours of this morning, unable to put the book down, I read the last few chapters of K.D. Miller's novel, Brown Dwarf. Miller expertly builds and maintains the tension in this concise psychological drama until the very end.-New Quarterly
