Broadcast Writing (1991) looks at the tools necessary for writers to find and develop stories for radio and television. Through the use of numerous original examples, the reader learns to shape ideas into well-developed scripts. It addresses the challenges of documentary and dramatic writing for TV and radio, and provides examples for most of the different writing genres.
1. The Medium Forms the Message 2. How to Find Your Story 3. How to Tell Your Story 4. Character is Critical to Your Story 5. Your Characters Talk 6. Writing a Radio Documentary 7. Writing a Radio Drama 8. Writing a Television Documentary 9. Writing a TV Drama 10. Writing a Situation Comedy 11. Writing a Soap Opera 12. Writing a Police/Detective/Doctor/Lawyer Story
Patricia Cooper, Ken Dancyger, New York) Cooper, Patricia (Tisch School of the Arts, New York University, USA) Dancyger, Ken (Tisch School of the Arts, New York University, NY
Ken Dancyger, Jessie Keyt, Jeff Rush, USA) Dancyger, Ken (Tisch School of the Arts, New York University, NY, USA) Rush, Jeff (Temple University, Philadelphia, PA
Ken Dancyger, Jessie Keyt, Jeff Rush, USA) Dancyger, Ken (Tisch School of the Arts, New York University, NY, USA) Rush, Jeff (Temple University, Philadelphia, PA
Patricia Cooper, Ken Dancyger, New York) Cooper, Patricia (Tisch School of the Arts, New York University, USA) Dancyger, Ken (Tisch School of the Arts, New York University, NY
Ken Dancyger, Jessie Keyt, Jeff Rush, USA) Dancyger, Ken (Tisch School of the Arts, New York University, NY, USA) Rush, Jeff (Temple University, Philadelphia, PA
Ken Dancyger, Jessie Keyt, Jeff Rush, USA) Dancyger, Ken (Tisch School of the Arts, New York University, NY, USA) Rush, Jeff (Temple University, Philadelphia, PA
Patricia Cooper, Ken Dancyger, New York) Cooper, Patricia (Tisch School of the Arts, New York University, USA) Dancyger, Ken (Tisch School of the Arts, New York University, NY