'Sheila Curran Bernard rescues the legendary 'Lead Belly' from a swirl of fabrication and racist presumption, and simultaneously illuminates the systemized oppression that cruelly stalked Black artists and ensured, for a century after the ostensible end of slavery, that bitter chords of racial injustice would remain as central to the American chorus as any melodies of freedom.' Douglas A. Blackmon, author of Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II, Winner of the Pulitzer Prize