Blood in the Streets investigates the various ways in which 1970s Italian crime films were embedded in their immediate cultural and political contexts. The book analyses the emergence, proliferation and distribution of a range of popular film cycles (or filoni) – from conspiracy thrillers and vigilante films, to mafia and serial killer narratives – and examines what these reveal about their time and place. With industrial conditions geared around rapid production schedules and concentrated release patterns, the engagement in these films with both the contemporary political turmoil of 1970s Italy and the traumas of the nation’s recent past offers a range of fascinating insights into the wider anxieties of this decade concerning the Second World War and its ongoing political aftermath.
Produktinformation
Utgivningsdatum2020-12-01
Mått156 x 234 x 18 mm
Vikt389 g
FormatHäftad
SpråkEngelska
Antal sidor240
FörlagEdinburgh University Press
ISBN9781474477727
UtmärkelserWinner of British Association of Film, Television and Screen Studies Awards: Best Monograph Award 2020
Austin Fisher is Associate Professor of Popular Culture at Bournemouth University. He is the author of Radical Frontiers in the Spaghetti Western, editor of Spaghetti Westerns at the Crossroads and Grindhouse: Cultural Exchange on 42nd Street, and Beyond, and founding co-editor of the ‘Global Exploitation Cinemas’ book series. His main area of expertise concerns popular Italian cinema’s relationship with political movements of the 1960s and 1970s.
List of IllustrationsList of TablesAcknowledgementsIntroduction1 Italian Crime Films and the Years of Lead2 Corruption and Conspiracy in the Poliziottesco and the Vigilante Filone3 Nostalgic Gangsters and the Mafia Filone4 Serial Killing and the Giallo5 Enter … If You Dare! The Cross-Cultural Reception of Crime FiloniConclusionBibliography Endnotes
The filone is the subject; film convention, cycles and series the method; and government corruption, crime syndicates, policing, murder mysteries, street riots and political violence is the topic of enquiry. Adroitly pulling these strands together, Austin Fisher has produced one of the finest histories of post-war Italian popular cinema.
Iain Robert Smith, Dolores Tierney, Shruti Narayanswamy, UK) Smith, Iain Robert (King’s College London, UK) Tierney, Dolores (University of Sussex, UK) Narayanswamy, Shruti (University of St Andrews, Austin Fisher