"Christina Bieber Lake challenges the materialist explanation for the purposes and effects of literature. . . . Lake argues that only theology offers an adequate explanation for the pleasure we receive from creating and admiring art." —Journal of Interdisciplinary Studies"[Bieber Lake] provides creative readings of fictional works for scholars of twentieth and twenty-first-century literature. She ultimately presents a compelling case for the persistent relevance of religion to literature and astutely urges scholars of literature to think more deeply about the metaphysical motivations behind literary works and the transcendent effects of literature." —Modern Fiction Studies"Christina Bieber Lake's readings and reflections in this book exemplify 'acts of loving attention.' By retrieving the personalist imagination that animates all true storytelling, she not only illuminates contemporary writers in surprising ways, but clearly and convincingly counters the naturalistic assumptions that are rife in contemporary cultural discourse. I will return to her book often." —Paul J. Contino, Pepperdine University"Christina Bieber Lake's thesis is bold: that a godless metaphysical naturalism cannot adequately explain the nature of human persons as storytelling agents. Christian theism carries far greater explanatory power, rooted, as it is, in a God of attentive love. This is the kind of book that will jolt us out of lazy assumptions that are ever more pervasive in our culture. Thought-provoking and strongly recommended." —Jeremy Begbie, Thomas A Langford Distinguished Professor of Theology, Duke University"It is a mark of the importance of Christina Bieber Lake's book that while I found it relatively easy to think of books that it challenges in fundamental ways, I found it more difficult to think of works comparable to it. Lake's book is more ambitious and likely to have a much larger readership because the examples and the theories that it takes up are more wide-ranging and less necessarily confined to a historical moment. It is evident that her argument 'could be extended to different genres, cultures, and periods,' as she acknowledges in her introduction." —Thomas F. Haddox, University of Tennessee, Knoxville"In her award-winning Prophets of the Posthuman, Lake drew on American fiction to critique a posthumanist anthropology. In the present volume she broadens that earlier work, suggesting that a theological anthropology underlies the writing and reading of all stories." —Choice"A fine study of several important works of American fiction framed by a nuanced discussion of materialism in which the author seeks to determine its limitations. It is engagingly written and is based on wide and judicious reading in philosophy, theology, and neuroscience as well as literary criticism (including recent literary criticism that takes cognitive approaches to literature)." —Kevin Hart, Edwin B Kyle Professor of Christian Studies, University of Virginia- Kevin Hart, Edwin B Kyle Professor of Christian Studies, University of Virginia
