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This collection features original essays that examine Walter Benjamin’s and Theodor Adorno’s essays and correspondence on literature. Taken together, the essays present the view that these two monumental figures of 20th-century philosophy were not simply philosophers who wrote about literature, but that they developed their philosophies in and through their encounters with literature.Benjamin, Adorno, and the Experience of Literature is divided into three thematic sections. The first section contains essays that directly demonstrate the ways in which literature enriched the thinking of Benjamin and Adorno. It explores themes that are recognized to be central to their thinking—mimesis, the critique of historical progress, and the loss and recovery of experience—through their readings of literary authors such as Baudelaire, Beckett, and Proust. The second section continues the trajectory of the first by bringing together four essays on Benjamin’s and Adorno’s reading of Kafka, whose work helped them develop a distinctive critique of and response to capitalism. The third and final section focuses more intently on the question of what it means to gain authentically critical insight into a literary work. The essays examine Benjamin’s response to specific figures, including Georg Büchner, Robert Walser, and Julien Green, whose work he sees as neglected, undigested, or misunderstood.This book offers a unique examination of two pivotal 20th-century philosophers through the lens of their shared experiences with literature. It will appeal to a wide range of scholars across philosophy, literature, and German studies.
Corey McCall is Associate Professor of Philosophy at Elmira College, USANathan Ross is Associate Professor of Philosophy at Oklahoma City University, USA
IntroductionCorey McCall and Nathan RossPart I. Benjamin and Adorno: Literary Themes and Philosophical Debates1. Against the Reification of History: Benjamin and Adorno on BaudelaireCorey McCall2. Theatrum Philosophicum: Thinking Literature and Politics with Walter BenjaminOscar Guardiola-Rivera3. Adorno and Beckett: Aesthetic Mimēsis and The Language of ‘The New’Marcia Morgan4. Abysmal Humanity: Anthropological Materialism in Georg Büchner and Walter BenjaminCat MoirPart II. Kafka: ‘Fairy Tales for Dialecticians’5. Breaking the Mythic Organization of Life: On Literary Form and Political Tendency in Benjamin’s Reading of KafkaNathan Ross6. The Virtue or Power of the Useless: Benjamin and Adorno on KafkaIdit Dobbs-Weinstein7. Discovering the Truth of Sancho Panza: The Meaning of Comedy in Adorno’s and Benjamin’s Differing Readings of Don QuixoteMeanchem FeuerPart III. Proust: Recovering Experience8. The Proustian Roots of Adorno’s Idea of Social CriticismRoger Foster9. Seeing-In, Seeing-Through: Adorno and the Platonism of ProustOwen HulattPart IV: From Hölderlin to Walser: Poetic Afterlives10. Hölderlin’s Aesthetic Critique of ModernityMichael J. Thompson11. Benjamin on Hölderlin’s Poetic CosmosHyun Höchsmann12. Wo bist Du Nachdenkliches! Poetic Determinability in Hölderlin and WalserStéphane Symons13. Robert Walser as an Undigested Literary PhenomenonJeffrey A. Bernstein