Robert N. Watson is Professor of English and Associate Vice-Provost for Educational Innovation at the University of California, Los Angeles. His previous books include The Rest Is Silence: Death as Annihilation in the English Renaissance, Ben Jonson's Parodic Strategy: Literary Imperialism in the Comedies, and Shakespeare and the Hazards of Ambition.

"Back to Nature is demanding, at times dizzying, in its range and boldness, the all-encompassing and often surprising nature of its conjunctions. . . . Sections of the book amount to the most powerful and wide-ranging 'green' reading of early modern literature that has yet emerged." (Jonathan Bate, University of Warwick) "One of the most impressive works of scholarship I have encountered in three decades of reading such material. To observe the skill with which the author applies his extraordinary mind to the interrelations of similar but not obviously connected ideas is alternately thrilling and humbling." (Russ McDonald, University of North Carolina, Greensboro) "Productively wide-ranging, yet well focused in scope, Watson's book illuminates multiple issues of current interest in Renaissance studies, including representations of nature and reality, the quest for truth, the body, game hunting, colonialism, the new science, religion, and language in readings of canonical writers. . . . This book of the Renaissance struggle to reconcile desire for 'human mastery with love for the natural world' should be ready by all who teach Renaissance literature and by specialists in sixteenth-century and seventeenth-century literature." (Sixteenth Century Journal)

Robert N. Watson is Professor of English and Associate Vice-Provost for Educational Innovation at the University of California, Los Angeles. His previous books include The Rest Is Silence: Death as Annihilation in the English Renaissance, Ben Jonson's Parodic Strategy: Literary Imperialism in the Comedies, and Shakespeare and the Hazards of Ambition.

"Back to Nature is demanding, at times dizzying, in its range and boldness, the all-encompassing and often surprising nature of its conjunctions. . . . Sections of the book amount to the most powerful and wide-ranging 'green' reading of early modern literature that has yet emerged." (Jonathan Bate, University of Warwick) "One of the most impressive works of scholarship I have encountered in three decades of reading such material. To observe the skill with which the author applies his extraordinary mind to the interrelations of similar but not obviously connected ideas is alternately thrilling and humbling." (Russ McDonald, University of North Carolina, Greensboro) "Productively wide-ranging, yet well focused in scope, Watson's book illuminates multiple issues of current interest in Renaissance studies, including representations of nature and reality, the quest for truth, the body, game hunting, colonialism, the new science, religion, and language in readings of canonical writers. . . . This book of the Renaissance struggle to reconcile desire for 'human mastery with love for the natural world' should be ready by all who teach Renaissance literature and by specialists in sixteenth-century and seventeenth-century literature." (Sixteenth Century Journal)

Robert N. Watson is Professor of English and Associate Vice-Provost for Educational Innovation at the University of California, Los Angeles. His previous books include The Rest Is Silence: Death as Annihilation in the English Renaissance, Ben Jonson's Parodic Strategy: Literary Imperialism in the Comedies, and Shakespeare and the Hazards of Ambition.

"Back to Nature is demanding, at times dizzying, in its range and boldness, the all-encompassing and often surprising nature of its conjunctions. . . . Sections of the book amount to the most powerful and wide-ranging 'green' reading of early modern literature that has yet emerged." (Jonathan Bate, University of Warwick) "One of the most impressive works of scholarship I have encountered in three decades of reading such material. To observe the skill with which the author applies his extraordinary mind to the interrelations of similar but not obviously connected ideas is alternately thrilling and humbling." (Russ McDonald, University of North Carolina, Greensboro) "Productively wide-ranging, yet well focused in scope, Watson's book illuminates multiple issues of current interest in Renaissance studies, including representations of nature and reality, the quest for truth, the body, game hunting, colonialism, the new science, religion, and language in readings of canonical writers. . . . This book of the Renaissance struggle to reconcile desire for 'human mastery with love for the natural world' should be ready by all who teach Renaissance literature and by specialists in sixteenth-century and seventeenth-century literature." (Sixteenth Century Journal)