Art of Unarmed Stage Combat

Häftad, Engelska, 2015

Av Robert Najarian, University of Michigan) Najarian, Robert (Assistant Professor

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The Art of Unarmed Stage Combat is a guide to the principles and techniques of theatrical violence, combining detailed discussions of the mechanics of stage fighting with the nuances of acting decisions to make fighting styles reflect character and story. Expert Fight Director Robert Najarian offers never-before-published games and exercises that allows actors to develop the skills and concepts for performing violence for stage and screen. This title utilizes a unique system of training techniques that result in stage violence that is both physically engaging for the performer, while remaining viscerally engaging for the audience.This book is written for the actor and fight director.

Produktinformation

Utgivningsdatum2015-12-14
Mått191 x 235 x 20 mm
Vikt460 g
FormatHäftad
SpråkEngelska
Antal sidor238
FörlagTaylor & Francis Ltd
ISBN9780415742498

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Robert Najarian is an actor, instructor, and fight director hailing from the East Coast. He has taught at movement and stage combat workshops, such as the National Stage Combat Workshop at North Carolina School of the Arts, The Winter Wonderland Workshop in Chicago, IL, The Paddy Crean Workshop at the Banff Center in Alberta, Canada, and as an Assistant Professor of Theatre at the University of Michigan. As a fight director, Najarian has staged the violence for more than 100 productions for stage and film. Fight direction credits include Carmen and Macbeth with Boston Lyric Opera, As You Like It with Commonwealth Shakespeare Company, Don Quixote with Boston Ballet, Johnny Baseball with American Repertory Theatre, The Lieutenant of Inishmore and The Kite Runner with New Repertory Theatre, and She Kills Monsters with Company One. Najarian is Fight Director and Certified Teacher with the Society of American Fight Directors and a member of Actors' Equity Association and SAG-AFTRA. .

ForewordAcknowledgmentsIntroduction Part I – A Brief History of Violence in Performance 1. Overview of Stage Combat History2. Overview of HoplologyPart II - Physical Training 3. The Warm-Up4. Partnered Conditioning5. Combat GamesPart III - Cornerstone Concepts6. Seeking Safety7. Good Partnering8. Audience Relationship (The Third Partner)9. Characters in ConflictPart IV – Process and Performance 10. The Violent Soundscape11. The Illusion of Violence12. Non-Contact Violence13. Contact Violence14. Taken For Granted15. Final ThoughtsIndex