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Inspired bya private archive and including contemporary work by artists who acknowledge the continued relevance of Angela Davis’s experience and politics, the essays, interviews, and images in this book provide a compelling and layered narrative of her journey through the junctures of race, gender, economic and political policy.Beginning with the arrest, trial, and acquittal of Davis, 1970-72, and continuing through her world tour to thank those who joined in demanding her release and her influential career as a public intellectual, the book examines fifty years of history in light of the current political moment. Profusely illustrated with materials found in the archive (press coverage, photographs, court sketches, videos, music, writings, correspondence, and Davis’s political writings), the book includes an interview with Angela Davis and Lisbet Tellefsen, the archivist who collected these materials, as well as essays that ouch on visibililty and invisibility, history, memory, and the iconography of black radical feminism.
Gerry Beegan is chair of the art and design department at Rutgers University. Donna Gustafson is curator of American art and Mellon Director for Academic Programs at the Zimmerli Art Museum at Rutgers University and a member of the graduate faculty in Art History.
Director’s Foreword and Acknowledgements by Thomas Sokolowski Angela Davis: A Chronology by Lisbet TellefsenIntroduction: Angela Davis—Seize the Time! by Donna Gustafson Bearing Witness: The Radical Mass Reproduction of Angela Davis by Gerry BeeganBlack Radical Feminism and the Iconic Status of Angela Davis by Nicole R. FleetwoodAn Archive of Resistance: A Conversation with Archivist and Collector Lisbet Tellefsen by Donna GustafsonInterview with Angela Davis by Rene de GuzmanSelected Bibliography
"Profusely illustrated with materials found in the archive, including press coverage, photographs, court sketches, videos, music, writings, correspondence, and Davis’s political writings, the book also features interviews with Angela Davis and Lisbet Tellefsen, the archivist who collected those materials, as well as essays that touch on visibility and invisibility, history, memory, and the iconography of black radical feminism."