What an impressive achievement! Kim's book is the perfect place to learn about the progressive wing of Korean documentary over the last forty years. The activist and post-activist documentaries that he examines tell the story of resistance and confrontation by workers, women, gays and lesbians, and many other exploited or oppressed groups, on the one hand, and both corporations and the state, on the other. Kim achieves an impeccable balance as he analyzes the interdependency of form and content in films that tackle issues from 'comfort women' in World War II to environmental activism more recently. Told with clarity and verve, this is a probing and perceptive account that amounts to an encyclopaedic analysis of the properties and values of a vast array of documentaries.