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Ancient Greece has for too long been studied in isolation from its Near Eastern neighbors. And the ancient Near East itself has for too long been seen as an undifferentiated cultural monolith. Classics and Near Eastern Studies, in our modern universities, continue to be separated by various disciplinary, linguistic, and ideological walls. Yet there is a growing trend to dismantle these divides and look at the Greek world within its fullest geographical and cultural contexts.This book aims to bring the comparative study of Greek and Near Eastern cosmogonies to a new level. It analyzes themes such as succession myths, expressions of poetic inspiration, and claims to cosmic knowledge, as well as the role of itinerant specialists in the transmission of theogonies. Rather than compiling literary parallels from different periods and languages and treating the Near East as a monolithic matrix, the author focuses on the motifs specific to the North-West Semitic tradition with which the Greeks had direct contact in the Archaic period. Focusing on Hesiod’s Theogony, the Orphic texts, and their Ugaritic, Phoenician, and Hebrew counterparts, Carolina López-Ruiz avoids traditional diffusionist assumptions and proposes instead that dynamic cultural interaction led to the oral and intimate transmission of stories and beliefs.
Carolina López-Ruiz is Professor of the History of Religions, Comparative Mythology, and the Ancient Mediterranean World at the University of Chicago Divinity School and the Department of Classics. She is the author of When the Gods Were Born and Phoenicians and the Making of the Mediterranean. Her work focuses on cross-cultural interactions in the ancient Mediterranean world.
With admirable erudition, López-Ruiz brings to life intimacies and exchanges between the ancient Greeks and their Northwest Semitic neighbors, portraying the ancient Mediterranean as a fluid, dynamic contact zone. She shows networks of circulation, creative uses of traditional material by peoples in motion, and radically transforms our understanding of ancient cosmogonies.
Atefeh Akbari Shahmirzadi, Brenda E. F. Beck, David T. Bialock, Albrecht Classen, Barlow Der Mugrdechian, Thomas DuBois, Angelica Duran, Ana Grinberg, Thomas A. Hale, Zachary Hamby, Nathan C. Henne, John William Johnson, Carolina López-Ruiz, Jason Lotz, Roberta Micallef, Joseph M. Ortiz, Emrah Pelvanoğlu, Christine G. Perkell, Dwight F. Reynolds, Paula Richman, Moss Roberts, Charles S. Ross, Luisanna Sardu, Arshia Sattar, Stefan Seeber, Roberta Strippoli, Frederick Turner, Victoria Turner, Katherine Oswald, Elizabeth Oyler, Angelica Duran, Jo Ann Cavallo
Atefeh Akbari Shahmirzadi, Brenda E. F. Beck, David T. Bialock, Albrecht Classen, Barlow Der Mugrdechian, Thomas DuBois, Angelica Duran, Ana Grinberg, Thomas A. Hale, Zachary Hamby, Nathan C. Henne, John William Johnson, Carolina López-Ruiz, Jason Lotz, Roberta Micallef, Joseph M. Ortiz, Emrah Pelvanoğlu, Christine G. Perkell, Dwight F. Reynolds, Paula Richman, Moss Roberts, Charles S. Ross, Luisanna Sardu, Arshia Sattar, Stefan Seeber, Roberta Strippoli, Frederick Turner, Victoria Turner, Katherine Oswald, Elizabeth Oyler, Angelica Duran, Jo Ann Cavallo
Atefeh Akbari Shahmirzadi, Brenda E. F. Beck, David T. Bialock, Albrecht Classen, Barlow Der Mugrdechian, Thomas DuBois, Angelica Duran, Ana Grinberg, Thomas A. Hale, Zachary Hamby, Nathan C. Henne, John William Johnson, Carolina López-Ruiz, Jason Lotz, Roberta Micallef, Joseph M. Ortiz, Emrah Pelvanoğlu, Christine G. Perkell, Dwight F. Reynolds, Paula Richman, Moss Roberts, Charles S. Ross, Luisanna Sardu, Arshia Sattar, Stefan Seeber, Roberta Strippoli, Frederick Turner, Victoria Turner, Katherine Oswald, Elizabeth Oyler, Angelica Duran, Jo Ann Cavallo