Werewolves, Wolves and the Gothic

Robert McKay is Senior Lecturer in English Literature at the University of Sheffield. John Miller is Senior Lecturer in Nineteenth-Century Literature at the University of Sheffield.

• AcknowledgementsList of ContributorsList of IllustrationsIntroduction, Robert McKay and John MillerSocial Anxieties1.Like Father Like Son: Wolf-Men, Paternity and the Male Gothic, Hannah Priest2.Wicked Wolf-Women and Shaggy Suffragettes: Lycanthropic Femme Fatales in the Victorian and Edwardian Eras, Jazmina Cininas3.Postcolonial Vanishings: Wolves, American Indians, and Contemporary Werewolves, Michelle Nicole Boyer4.The Good, the Bad, and the Ubernatural: The Other(ed) Werewolf in Twilight, Roman Bartosch and Celestine Caruso5. ‘Becoming woman’/Becoming Wolf: Girl Power and the Monstrous Feminine in the Ginger Snaps Trilogy, Batia Boe StolarSpecies Troubles6.‘Something that is either werewolf or vampire’: Interrogating the Lupine Nature of Bram Stoker’s Dracula, Kaja Franck7.Saki, Nietzsche and the Superwolf, John Miller8.A Vegetarian Diet for the Were-wolf Hunger of Capital: Leftist and Pro-animal Thought in Guy Endore’s The Werewolf of Paris, Robert McKay9.Everybody Eats Somebody: Angela Carter’s Wolfish Ecology, Margot Young10.‘But by Blood No Wolf Am I’: Language and Agency, Instinct and Essence – Transcending Antinomies in Maggie Steifvater’s Shiver Trilogy, Bill Hughes11.Transforming the Big Bad Wolf: Redefining the Werewolf through Grimm and Fables, Matthew Lerberg