'Although [McDonald's] choice of Synge, O'Casey, and Beckett is made for reasons of contrast as well as comparison, all three...just as they react against the mythic values of the Celtic Revival, react against the sort of ritualistic mythology that transforms failure into success...McDonald's study both yields insights into what definitions of tragedy say about the society that makes them, and...uses the exigencies and nuances of tragic theory as a way of casting new light on three distinct oeuvres'. - Sinead Mooney, Modern Language Review