Theatre Institutions in Crisis

European Perspectives

Häftad, Engelska, 2022

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Theatre Institutions in Crisisexamines how theatre in Europe is beset by a crisis on an institutional level and the pressing need for robust research into the complex configuration of factors at work that are leading to significant shifts in the way theatre is understood, organised, delivered, and received.Balme and Fisher bring together scholars from different disciplines and countries across Europe to examine what factors can be said to be most common to the institutional crisis of European theatre today. The methods employed are drawn from systems theory, social-scientific approaches, economics and statistics, theatre and performance, and other interpretative approaches (hermeneutics), and labour studies.This book will be of great interest to researchers, students, and practitioners working in the fields of performance and theatre studies. It will be particularly relevant to researchers with a particular interest in European theatre and its networks.Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Produktinformation

Utgivningsdatum2022-08-01
Mått156 x 234 x 17 mm
Vikt500 g
FormatHäftad
SpråkEngelska
Antal sidor224
FörlagTaylor & Francis Ltd
ISBN9780367676667

Tillhör följande kategorier

Socialhistoria och kulturhistoria inom Historia och arkeologi
Historia inom Historia och arkeologi
Teater inom Kultur
Övriga konstformer inom Kultur
Politik och statsskick inom Samhalle och politik
Kulturvetenskap inom Samhalle och politik

PrefaceAcknowledgementsIntroduction Publics Chapter 1 Struggles of singularised communities in German theatre: The ‘culture war’ around the Berlin VolksbühnePeter Boenisch (University of Aarhus)Chapter 2 Public (Re) Assembly and Crisis DramaturgyShannon Jackson (UC Berkley)Chapter 3 Re-enacting the Crisis of Democracy in Milo Rau’s General Assembly Ramona Mosse (FU Berlin)Chapter 4 Fugitive Transformations of Performance Practice in Landscapes of CrisisGigi Argyropoulou (Mavili collective Athens) Funding and labourChapter 5 Justifying Theatre and its Funding after 2008Joshua Edelman (Manchester Met)Chapter 6 Dutch Theatre Politics in Crisis? Quirijn Lennert van den Hoogen (Groningen University)Chapter 7 Crisis in Funding Policies. The Paradox of National Theatres and the Dilemma of Evaluating Theatre in ItalyLivia Cavaglieri (University of Genova)Chapter 8 The Theatrical Employment System in Crisis? How Working Conditions Are Changing in Theatre and ElsewhereAxel Haunschild (University of Hannover) Post-Socialism Chapter 9 Crisis? Czech Theatre after 1989Radka Kunderová Chapter 10 Artistic Freedom — State Control — Democracy: Oliver Frljićʼs Theatre Work in Croatia and Poland as an Indicator of Repressive Cultural Policy Danijela Weber-Kapusta (LMU Munich)Chapter 11 Creating New Theatres during the Economic Crisis: The Case of EstoniaHedi-Lis Toome and Anneli Saro (University of Tartu)Chapter 12 Cultural Struggles in Slovenian Institutional and Independent TheatreMaja Šorli and Zala Dobovšek (University of Ljubljana) Independent theatre sceneChapter 13 Promises and Side Effects: The Frankfurt Theatre Crisis of the 1990s — A Case StudyLorenz Aggermann (University of Giessen)Chapter 14 Potential, Need, Risk. On Control and Subjectification in Contemporary Production NetworksGeorg Döcker (University of Giessen)Chapter 15 Theatre Crisis, Local Farce, or Institutional Change? The Controversy Surrounding the Munich Kammerspiele 2018 from an Institutional Logics PerspectiveBianca Michaels (LMU Munich)Index