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A monumental study of musical practices in 18th century Santiago de Chile, and the only English-language monograph about Chilean colonial music, A Sweet Penance of Music offers a comprehensive view of musicians within the city and their links with other Latin American urban centers in the wider colonial system. Author Alejandro Vera, recent winner of the International Casa de las Américas Musicology Prize for the Spanish edition of his monograph, provides a fascinating account of the quotidian cultural and social significance of music in varying physical spheres - from cathedrals, convents, and monasteries, to private houses and public spaces. He brings to life a city long neglected in the shadow of other colonial centers of economic power, asserting the importance of duality in the period and its music - particularly centering one nun harpist's conception of music as "sweet penance." Drawing from historical documents and musical scores of the period, A Sweet Penance of Music breaks new ground, laying the foundation for a revisionist approach to the study of music in the colonial Americas.
UtmärkelserWinner, 2022 Robert M. Stevenson Award, American Musicological Society Winner of the International Casa de las Américas Musicology, 2018 (original Spanish edition)
Alejandro Vera is Associate Professor at the Music Institute of the Pontificia Universidad Católica de Chile. He is the author of Santiago de Murcia: Cifras selectas de guitarra and Música vocal profana en el Madrid de Felipe IV, and has published in journals including Acta musicologica, Early Music, and Latin American Music Review.
Introduction1. The Cathedral of Santiago2. Convents and monsteries3. The private sphere and the music trade4. From birth to death: fiestas, spectacles, and public space in colonial Santiago5. Musicians in colonial SantiagoConclusionsBibliographyDiscographyDocuments
The Sweet Penance of Music is a groundbreaking study of one of the most vibrant urban music cultures in colonial South America. Alejandro Vera offers a richly detailed account of musical life in Santiago de Chile, drawing from a wide array of archival sources to reveal and critically interpret valuable new data on the practice, function, and meaning of music in diverse parts of Santiaguino society.
Katia Chornik, University of Cambridge) Chornik, Katia (Research Associate, Centre of Latin American Studies, Research Associate, Centre of Latin American Studies, Chornik Katia
Katia Chornik, University of Cambridge) Chornik, Katia (Research Associate, Centre of Latin American Studies, Research Associate, Centre of Latin American Studies
Ana R. Alonso-Minutti, University of New Mexico) Alonso-Minutti, Ana R. (Associate Professor of Music, Associate Professor of Music, Ana R Alonso-Minutti
Eva Moreda Rodríguez, University of Glasgow) Moreda Rodriguez, Eva (Lord Kelvin Adam Smith Research Fellow in Music as Cultural Practice, Lord Kelvin Adam Smith Research Fellow in Music as Cultural Practice, Eva Moreda Rodriguez
Samuel Llano, University of Manchester) Llano, Samuel (Lecturer (Assistant Professor) in Spanish Cultural Studies, Lecturer (Assistant Professor) in Spanish Cultural Studies
Leonardo Cardoso, Texas A&M University) Cardoso, Leonardo (Assistant Professor, Department of Performance Studies, Assistant Professor, Department of Performance Studies
Amanda Minks, University of Oklahoma) Minks, Amanda (Associate Professor of Anthropology and Ethnomusicology, Associate Professor of Anthropology and Ethnomusicology, Honors College
Andrew Grant Wood, USA) Wood, Andrew Grant (Stanley Rutland Associate Professor of American History, Stanley Rutland Associate Professor of American History, University of Tulsa, Tulsa, OK