Spanish Art in Britain and Ireland, 1750-1920

• British and Irish Interest in Hispanic Culture - Nigel GlendinningCross-Cultural Contacts with Spain: A Broad Perspective - Nigel GlendinningMantillas, Majas, Murillo and Moors: A Feminine Perspective on Spanish Art from Ann Fanshawe to Gwen John - Sarah SymmonsCustoms Books and Sales Catalogues: A Study of the Importation of Spanish Paintings into Britain - Jeremy RoeCollectors of Spanish Paintings - Nigel GlendinningSellers and Dealers - Nigel GlendinningAccess to Collections of Spanish Art in Britain and Ireland in the Eighteenth and Nineteenth Centuries - Marjorie TrustedWriting the History of Spanish Art in Ninetenth-Century Britain and Ireland - Hilary MacartneyThe Reproduction of Spanish Art - Hilary MacartneyAesthetics and Prejudice: Changing Attitudes to Spanish Art - Nigel GlendinningThe Catholic Question: Attitudes to Roman Catholicism in Nineteenth-Century Britain and Ireland and their Impact on the Reception of Spanish Art - Hilary MacartneyThe Murillo/Velázquez Debate: Aspects of the Critical Fortunes of Murillo and Velázquez in Nineteenth- and Early Twentieth-Century Writing on Spanish Art in Britain and Ireland - Hilary MacartneyThe 'Terrible Sublime': Ribera in Britain and Ireland - Nigel GlendinningReception of Zurbarán in Britain and Ireland - Nigel GlendinningThe Fortunes of Goya: His Reception in Britain and Ireland - Nigel GlendinningSir William Stirling Maxwell and the History of Spanish Art - Enriqueta HarrisMurillo in Britain - Enriqueta HarrisEl Greco's 'Fortuna Critica' in Britain - Enriqueta Harris

It brings an impressive body of information, combining existing knowledge with new and original insights derived from the scrupulous reading of primary and secondary source material. The rigorous scholarship is outstanding and makes a major contribution to the study of the reception of Spanish art and culture in Britain and Ireland. It will be essential reading in the field.