This book offers a sociological analysis of the Renaissance, focusing on the concept of grace, and the unity that exists between its various meanings: theological, anthropological (gift-giving, Mauss; and sociability, Simmel), and aesthetical (beauty and gracefulness).Since the seminal work of Max Weber rooted capitalism, and thus the modern world, in the Protestant ethic, interest in the Renaissance among social scientists has been minimal. However, this book argues that the heart of the European tradition lies in a series of renascences, going back to Minoan Crete and its rebirth in classical Greek civilisation, during an earlier global age.The Renaissance forged a novel unity between the Judaic-prophetic and Minoan-Athenian traditions, renewing grace in all its aspects and thus revitalising Europe. This attempt tragically failed and the modern world is the outcome of this explosion. All this has vital contemporary relevance, as the classical European tradition is still a unique source suggesting a way out of the spiralling logic of globalisation.
Introduction: Grace And Gift-Giving Beyond CharismaPart I: The Births And Re-Births Of Grace In Antiquity1. Minoan Grace2. Grace In Greece3. The Three GracesPart II: The Experiential Bases Of Tuscan Renaissance Painting4. The Tuscan Renaissance5. The Tuscan ‘Maniera Greca’ And Its Experiential Bases6. Cimabue And The Bonaventuran Origins Of Renaissance PaintingPart III: The Flowering And Demise Of Renaissance Grace7. Leonardo Da Vinci: The Early Years8. Leonardo Da Vinci: The Mature Works9. Michelangelo10. RaphaelConclusion: Retrieving Connections
J. Patrick Williams, Kaylan C. Schwarz, Singapore) Williams, J. Patrick (Nanyang Technical University, Singapore) Schwarz, Kaylan C. (Nanyang Technological University