Public Faces and Private Identities in Seventeenth-Century Holland

Portraiture and the Production of Community

Inbunden, Engelska, 2009

AvAnn Jensen Adams

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During the seventeenth century, Dutch portraits were actively commissioned by corporate groups and by individuals from a range of economic and social classes. They became among the most important genres of painting. Not merely mimetic representations of their subjects, many of these works create a new dialogic relationship with the viewer. Ann Jensen Adams examines four portrait genres - individuals, the family, history portraits, and civic guards. She analyzes these works in relation to inherited visual traditions, contemporary art theory, changing cultural beliefs about the body, about sight, and the image itself, as well as to current events. Adams argues that as individuals became unmoored from traditional sources of identity, such as familial lineage, birthplace, and social class, portraits helped them to find security in a self-aware subjectivity and the new social structures that made possible the 'economic miracle' that has come to be known as the Dutch Golden Age.

Produktinformation

Utgivningsdatum2009-03-30
Mått185 x 258 x 28 mm
Vikt1 200 g
FormatInbunden
SpråkEngelska
Antal sidor412
FörlagCambridge University Press
ISBN9780521444552

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Konsthistoria inom Kultur

Ann Jensen Adams is Associate Professor of Art History at the University of California, Santa Barbara. A scholar of Dutch painting, she is editor of Rembrandt's Bathsheba Reading David's Letter and has contributed to The Art Bulletin and the Nederlands Kunsthistorisch Jaarboek. She has received fellowships from The Mrs Giles Whiting Foundation, The J. Paul Getty Trust, The Getty Research Institute, and the National Endowment for the Humanities.

1. The cultural power of portraits: the market, interpersonal experience, and subjectivity; 2. Portraits of individuals: physiognomy, demeanor, and the representation of character; 3. Family portraits: the private arena and the social order; 4. The history portrait: comprehending self through historical narrative; 5. Civic guard portraits: personal friendships and the public sphere; 6. Portraits and the production of identity: transitional objects and potential spaces.