Rembrandt's 'Bathsheba Reading King David's Letter'

Häftad, Engelska, 1998

Av Ann Jensen Adams, Santa Barbara) Adams, Ann Jensen (University of California

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Rembrandt's masterful Bathsheba Reading King David's Letter is unusual both as a history painting and as a portrayal of a nude. Instead of displaying a sumptuous body for the viewer's delectation, Bathsheba elicits our empathy. This collection of essays by seven leading Rembrandt scholars examines its qualities from perspectives ranging from changing perceptions of female beauty and the nude, technical analysis, and biographical and psychological analysis of the artist, the subject, and the viewer. The juxtaposition of these different approaches to a single work highlights how both the artist and his art are constructed through the questions we ask, and facilitates a comparison of some of the different approaches practiced by art historians today.

Produktinformation

Utgivningsdatum1998-11-13
Mått152 x 228 x 18 mm
Vikt330 g
FormatHäftad
SpråkEngelska
SerieMasterpieces of Western Painting
Antal sidor230
FörlagCambridge University Press
ISBN9780521459860

Tillhör följande kategorier

Målarkonst inom Kultur
Konsthistoria inom Kultur

Introduction: perspectives on Rembrandt and his works Ann Jensen Adams; 1. Rembrandt's Bathsheba: the object and its transformations Ernst van de Wetering; 2. Rembrandt's Bathsheba and the conventions of a seductive theme Eric Jan Sluijter; 3. An incomparable Bathsheba Leo Steinberg; 4. Reading Bathsheba: from mastercodes to misfits Mieke Bal; 5. Not Bathsheba: I. The painter and the model Svetlana Alpers; II. Uriah's gaze Margaret D. Carroll; 6. 'Though deficient in beauty': the reluctant, then hyperbolic reception of a masterpiece Gary Schwartz.

"Ann Adams's introduction deftly presents current Rembrandt studies and critical presentation of the following essays, making the connections and distinctions in theit approaches. For students, this sampling of approaches with respect to a single art work is a rich opportunity to gain access to the discipline of art history, which is, by its definition and essence, interdisciplinary in material and methodology." Amy Golahny, Historians of Netherlandish Art Newsletter