Print the Legend

Politics, Culture, and Civic Virtue in the Films of John Ford

Häftad, Engelska, 2009

AvSidney A. Pearson Jr.,Sidney A. Pearson

879 kr

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In Print the Legend: Politics, Culture, and Civic Virtue in the Films of John Ford, a collection of writers explore Ford's view of politics, popular culture, and civic virtue in some of his best films: Drums Along the Mohawk, The Searchers, The Man Who Shot Liberty Valance, Stagecoach, How Green Was My Valley, and The Last Hurrah. John Ford, more than most motion picture directors, invites his viewers into a serious discussion of these themes. For instance, one can consider Plato's timeless question 'What is justice?' in The Man Who Shot Liberty Valance, vengeance as classical Greek tragedy in The Searchers, or ethnic politics in The Last Hurrah. Ford's films never grow stale or seem dated because he continually probes the most important questions of our civic culture: what must we do to survive, prosper, pursue happiness, and retain our common decency as a regime? Further, viewing them from a distance of time, we are subtly invited to ask whether anything has been lost or gained since Ford celebrated the civic virtues of an earlier America. Is Ford's America an idealized America or a lost America?

Produktinformation

Utgivningsdatum2009-06-16
Mått156 x 232 x 12 mm
Vikt322 g
FormatHäftad
SpråkEngelska
Antal sidor206
FörlagBloomsbury Publishing Plc
ISBN9780739135631

Tillhör följande kategorier

Chapter 1 IntroductionChapter 2 Chapter 1. Defending the West: John Ford and the Creation of the Epic WesternChapter 3 Chapter 2. The Blessings of Civilization: John Ford's StagecoachChapter 4 Chapter 3. John Ford's Revolutionary Americans: Drums Along the MohawkChapter 5 Chapter 4. Modernity and the Destruction of Boundaries: John Ford's The Grapes of WrathChapter 6 Chapter 5. On the Threshold of Modernity: John Ford's How Green Was My ValleyChapter 7 Chapter 6. Heroes and Political Communities in John Ford's Westerns: The Role of Wyatt Earp in My Darling ClementineChapter 8 Chapter 7. The Western and the Western Drama: John Ford's The Searchers and the OresteiaChapter 9 Chapter 8. Heroic Virtue and the Limits of Democracy in John Ford's The SearchersChapter 10 Chapter 9. Honor, Duty, and Civic Virtue: John Ford's Mr. Roberts and The Last HurrahChapter 11 Why it is Tough to be the Second Toughest Guy in a Tough Town: John Ford's The Man Who Shot Liberty Valance

As we are on the threshold today of what may prove to be revolutionary changes in the American regime, it is entirely fitting that Sidney Pearson calls our attention back to the cultural revolution of the 1960s, by way of looking to the director whose films most effectively and artfully probed the issues at stake in America's cultural revolution from the perspective of heroic America. It is also fitting that Pearson approaches the films of such a great director with such a talented lineup of essayists, including some of our most interesting commentators on political philosophy and culture. For all who admire Ford's work, and especially for those of us who draw on it in our courses, this is an important and compelling collection.