In this intriguingly diverse reflection Caitlin Smith Gilson ably grasps the new spaces in which all serious and viable theology now operates and has always covertly operated: the space 'between' nature and grace, and the space 'between' the metaphysical concerned with being, and the metapolitical concerned with cosmic order and morality. She also realizes how it is often literary drama which has been able, as with Calderon, to 'stage' these tensions, or a poetic thought like that of Leon Shestov which has been able to insist (beyond 'philosophy') on both the unfathomability of nature and upon its ultimate ethical bearing. In order to witness at once to the structure of reality and yet to the good, revelation as truth requires to be 'staged' in a Christian polity of 'chaste anarchy' that is at once required and yet seemingly 'impossible.' Thus, as for both the Russian and the Atlantic margins of Europe, the question of an eschatological Rome is finally, as Gilson so insightfully realizes in the wake of Shestov, precisely what links the seemingly different questions posed by Athens and Jerusalem. Outside this question, given the instance of Christian revelation, there can be no serious pondering of either given reality or divine imperative, and because it lacks this pondering, which discloses the hidden co-composition of ontology with political practice, secularity is unable to recognize itself. Gilson thereby points us towards the only viable future theological agenda, in contrast to any sterile and now faintly ridiculous pursuit of either 'pure' doctrine, or the 'pure' philosophy of religion.