“Katharina Fackler offers a new and welcome reading of poverty photography as she explores how photographers pictured poverty across a diverse range of contexts. Arguing that photography is not exclusively visual but is in fact a mixed medium whose affective dimensions are multisensory, Fackler shows readers the value of engaging the medium's full sensorium. Grounded in extensive archival research and attuned to the complex dynamics of race, gender, class, and social justice of the era, this book is a must-read for scholars of photography history, sensory studies, and visual culture.”—Cara A. Finnegan, author of Picturing Poverty: Print Culture and FSA Photographs